creative-writing
Haiku & Micro-Poetry
Write haiku that cut, not just count to seventeen
12 lessons4 modules9h 0m durationbeginner level
About this course
This course teaches micro-poetry using the conventions practicing haiku poets actually use, not the grade-school 5-7-5 rule. You will work with kigo and the saijiki season-word almanac, build the two-image juxtaposition that the Japanese kireji marks, count by sound and prune to the English equivalent of about ten to fourteen syllables, and tell haiku from senryu from tanka. Every lesson pairs a craft principle with named poets, real example poems, and revision drills, drawing on Basho, Buson, Issa, and Shiki, the Haiku Society of America definitions, and contemporary English-language journals such as Modern Haiku, Frogpond, and The Heron's Nest.
Curriculum
Module 1: What Haiku Actually Is
- The 5-7-5 Myth and How Sound Actually CountsPreview
- The Four Masters and a One-Breath Tradition🔒
- Image, Not Statement: The Core Discipline🔒
Module 2: The Season Word: Kigo and the Saijiki
- Kigo: How One Word Sets the Season🔒
- The Saijiki: Using a Season-Word Almanac🔒
- Building Your Own Season Palette🔒
Module 3: Juxtaposition and the Cut
- Kireji and the Two-Part Structure🔒
- Finding a Juxtaposition That Surprises🔒
- Where to Break the Line🔒
Module 4: Senryu, Tanka, and Brevity as Craft
- Senryu: Haiku's Human, Funnier Cousin🔒
- Tanka: Five Lines and Room to Feel🔒
- Brevity as Craft: Revising by Subtraction🔒
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